I have a pet peeve. Well, I have more than one, actually. But as design goes: I HATE the font Comic Sans. When I see an advertisement, brochure, letter or any other communication piece in Comic Sans, I automatically assume that some 12-year old girl who dots her i’s with hearts is behind the message, whatever it may be.

This morning, Ty emailed me a link to a fantastic article on fonts/typefaces. It is an excellent read and you can see the whole piece here if you’d like. But here’s an excerpt I want to share:

Do typefaces really matter?
When Avatar, the biggest grossing movie of all time was released, one section of the audience was immediately outraged.
Graphic designers hated it. Why? They didn’t like the font that director James Cameron had chosen for the subtitles.
“I hated it on the posters and then threw up a little in my mouth when I realised I would have to read that ugly font throughout the film in the subtitles,” one blogger commented.
“After the hundreds of millions of dollars spent on CG effects, did he just run out of money for a decent graphic designer?”
I’m pretty sure that he just said he “threw up a little in his mouth” when he saw the Avatar font. Although it might be TMI, I totally agree. ”Papyrus” (the font James Cameron used in Avatar) is a close equivalent to Comic Sans in a designer’s eye. And it’s surprising that with all the millions of dollars spent on aesthetic, no one spoke up about using a standard, totally uninspired font to be the front-line visual on every poster, billboard, McDonalds cup and sleeping bag that will carry the name “Avatar” on forever (or, come on, until the next super cool 3-D flick comes out).
Getting back to Comic Sans—
Now this next article is also totally worth reading (see full article here). Here is the intro, which was well-put:
The national distraction is over. NBA star LeBron James has chosen the team he’s going to play for: the Miami Heat. Of course, this means that he won’t be returning to his hometown Cleveland Cavaliers and owner Dan Gilbert is not too happy about that. And he made that very clear to everyone tonight in a scathing letter posted to the Cavs main page on NBA.com.
A letter, posted in Comic Sans.
Yes, Gilbert wrote the entire letter in probably the worst font ever to grace the computer screen. Normally a staple among six year old and grandmothers, Glibert for some reason decided to use the font to write what will undoubtedly be the most public message he will ever write. And it’s too bad, because the content of the message itself is quite good — very juicy. Gilbert’s use of quotes, capitalization, and bolded letters makes it very clear just how pissed off he is.
Again, just another example of how the font ended up getting as much attention as the content! Whatever the the font chosen, it should communicate side-by-side with the message, not fight against it.

Some good ol' fashioned lead type
If you too, are a hater of Comic Sans, then you absolutely must read the link below. I have saved the best for last. This “monologue” from the perspective of Comic Sans is one of my favorite pieces of literature regarding type. It was sent to me by my sister-in-law, Meg, who can fully appreciate my deep hatred for a font. Keep in mind, this is not for the faint of heart. A hearty usage of curse words are spewed, but if you can brace yourself, it’s pretty fantastic. Keep in mind, I can hardly quote from it because it’s so chock full of language a lady doesn’t repeat. Oh, and be sure to note the reference to Papyrus, which I spoke about above.

http://www.mcsweeneys.net/links/monologues/15comicsans.html
My favorite section: “You don’t like that your coworker used me on that note about stealing her yogurt from the break room fridge? You don’t like that I’m all over your sister-in-law’s blog? You don’t like that I’m on the sign for that new Thai place? You think I’m pedestrian and tacky? Guess the **** what, Picasso. We don’t all have seventy-three weights of stick-up-my-*** Helvetica sitting on our seventeen-inch MacBook Pros. Sorry the entire world can’t all be done in stark Eurotrash Swiss type. Sorry some people like to have fun.”
All this to say, I know that not everyone has a design degree. Not everyone spent four years+ in further education to master the nuances of serif versus sanserif, ascenders, descenders and the like. I know that the average person simply doesn’t care about the history of type the way that some of us nutty designers do. BUT it doesn’t take a professional to recognize a stupid, ugly font when you see one. So feel free to go ahead and just delete Comic Sans (and Papyrus, while you’re at it) out of your font folder right now. This is professional design advice that I’m just givin’ out free, folks. Take it! You (and the world) will be better for it.